Still Leave Footprints

photo by Josh Scholten
photo by Josh Scholten

An infant is a pucker of the earth’s thin skin; so are we.
We arise like budding yeasts and break off;
we forget our beginnings.
A mammal swells and circles and lays him down.
You and I have finished swelling;
our circling periods are playing out,
but we can still leave footprints in a trail whose end we do know.
~Annie Dillard from For the Time Being

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The Black Honey of Summer

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When the blackberries hang
swollen in the woods, in the brambles
nobody owns, I spend

all day among the high
branches, reaching
my ripped arms, thinking

of nothing, cramming
the black honey of summer
into my mouth; all day my body

accepts what it is. In the dark
creeks that run by there is
this thick paw of my life darting among

the black bells, the leaves; there is
this happy tongue.
–  Mary Oliver, August

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A Fit of Elegy

photo by Harry Rodenberger
photo by Harry Rodenberger

 

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Except to prompt a fit of elegy
It is for us no more, or if it is,
It is a sort of music for the eye,
A rugged ground bass like the bagpipe’s drone
On which the leaf-light like a chanter plays.
~Richard Wilbur from “A Wall in the Woods”

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Revengeful Resurrection

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Against the rubber tongues of cows and the hoeing hands of men
Thistles spike the summer air
Or crackle open under a blue-black pressure.

Every one a revengeful burst
Of resurrection, a grasped fistful
Of splintered weapons and Icelandic frost thrust up

From the underground stain of a decayed Viking.
They are like pale hair and the gutturals of dialects.
Every one manages a plume of blood.

Then they grow grey, like men
Mown down, it is a feud. Their sons appear,
Stiff with weapons, fighting back over the same ground.
~Ted Hughes “Thistles”

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The Ripening Country-side

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This was one of those perfect days in late summer where the spirit of autumn takes a first stealing flight, like a spy, through the ripening country-side, and, with feigned sympathy for those who droop with August heat, puts her cool cloak of bracing air about leaf and flower and human shoulders.
–  Sarah Orne Jewett

 

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The Obstruction of Light

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Shadow is the obstruction of light.
Shadows appear to me to be of supreme importance in perspective,
because without them
opaque and solid bodies will be ill defined;
that which is contained within their outlines and their boundaries themselves
will be ill-understood
unless they are shown against a background
of a different tone from themselves.

~Leonardo da Vinci

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