Irreplaceable

More like a vault — you pull the handle out
and on the shelves: not a lot,
And what there is (a boiled potato
in a bag, a chicken carcass
under foil) looking dispirited,
drained, mugged. This is not
a place to go in hope or hunger.
But, just to the right of the middle
of the middle door shelf, on fire, a lit-from-within red,
heart red, sexual red, wet neon red,
shining red in their liquid, exotic,
aloof, slumming
in such company: a jar
of maraschino cherries. Three-quarters
full, fiery globes, like strippers
at a church social. Maraschino cherries, maraschino,
the only foreign word I knew. Not once
did I see these cherries employed: not
in a drink, nor on top
of a glob of ice cream,
or just pop one in your mouth. Not once.
The same jar there through an entire
childhood of dull dinners — bald meat,
pocked peas and, see above,
boiled potatoes. Maybe
they came over from the old country,
family heirlooms, or were status symbols
bought with a piece of the first paycheck
from a sweatshop,
which beat the pig farm in Bohemia,
handed down from my grandparents
to my parents
to be someday mine,
then my child’s?
They were beautiful
and, if I never ate one,
it was because I knew it might be missed
or because I knew it would not be replaced
and because you do not eat
that which rips your heart with joy.

~Thomas Lux “Refrigerator, 1957”

My childhood refrigerator also contained a jar of maraschino cherries. They were used only once a year, at Thanksgiving, when my mother would pull the jar out from the depths of the fridge, twist open the top and pull out four bright red cherries.

A sweet potato dish would be warming in the oven, covered by large melting marshmallows placed in the center of a ring of canned pineapple. Mom arranged the cherries, cut in half, on top of each marshmallow and replaced the dish in the oven, until the meal was ready to serve.

That was it. We never saw the cherries again for another year.

Sweet potatoes taste wonderful, all on their own, without a dressing of marshmallows and pineapples. But the special holiday tradition was set. In some magical way, the cherries dressed the dish up to help make a tense family gathering a bit jollier.

I do still have my own jar of maraschino cherries in my refrigerator. I forget why. It doesn’t have anything to do with sweet potatoes which I like to serve up plain for Sunday dinners. I possibly bought the jar out of nostalgia, or perhaps because I think every refrigerator needs a jar of maraschino cherries — kind of like the open box of baking soda that sits in most fridges to keep the odors under control.

Regardless, when I spy the jar every once in a while when rummaging in the fridge for something else, it stops time for a moment of remembrance and sadness. After all, I don’t replicate my mom’s mid-century cooking efforts of many-colored jello salads, bread-crumb-topped casseroles and… maraschino marshmallow sweet potatoes.

Even so, a daughter’s love for her mama remains irreplaceable.

A Feather on the Bright Sky

N.Scott Momaday passed into eternity last week at age 89.

On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, a tall, young N.Scott Momaday strolled to the front, wrote the 60 words of an Emily Dickinson poem “Further in Summer”on the blackboard. He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition. In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.

But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through the poem. What on the surface appears a paean to late summer insect droning – doomed to extinction by the desolation of oncoming winter – is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves. As summer begins its descent into the dark death of winter, we, unlike cicadas and crickets, become all too aware we too are descending. There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.

Yet the written Word is not silent; the Word brings Grace unlike any other, even when the summer, pathetic and transient as it is, is gone. The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.

There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted by our Creator God, yielding a fruited plain.

Scott was one of my most remarkable and influential teachers, teaching me to trust memories, to use the best words, and to describe beauty as best I can. I know his words will forever live on.

…<Dickinson’s Further in Summer is> one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time.  The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world.  She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state.  Words are indivisible with the highest realization of human being.
~N.Scott Momaday from The Man Made of Words

I Was All Hers

When all the others were away at Mass
I was all hers as we peeled potatoes.
They broke the silence, let fall one by one
Like solder weeping off the soldering iron:
Cold comforts set between us, things to share
Gleaming in a bucket of clean water.
And again let fall. Little pleasant splashes
From each other’s work would bring us to our senses.

So while the parish priest at her bedside
Went hammer and tongs at the prayers for the dying
And some were responding and some crying
I remembered her head bent towards my head,
Her breath in mine, our fluent dipping knives—
Never closer the whole rest of our lives.
~Seamus Heaney “Clearances -3”

April 2008 – Vigil at Mom’s Bedside

Lying still, your mouth gapes open as
I wonder if you breathe your last.
Your hair a white cloud
Your skin baby soft
No washing, digging, planting gardens, peeling potatoes,
Or raising children
Anymore.

Where do your dreams take you?
At times you wake in your childhood home of
Rolling wheat fields, boundless days of freedom.
Other naps take you to your student and teaching days
Grammar and drama, speech and essays.
Yesterday you were a young mother again
Juggling babies, farm and your wistful dreams.

Today you looked about your empty nest
Disguised as hospital bed,
Wondering aloud about
Children grown, flown.
You still control through worry
and tell me:
Travel safely
Get a good night’s sleep
Take time to eat
Call me when you get there

I dress you as you dressed me
I clean you as you cleaned me
I love you as you loved me
You try my patience as I tried yours.
I wonder if I have the strength to
Mother my mother
For as long as she needs.

When I tell you the truth
Your brow furrows as it used to do
When I disappointed you~
This cannot be
A bed in a room in a sterile place
Waiting for death
Waiting for heaven
Waiting

And I tell you:
Travel safely
Eat, please eat
Sleep well
Call me when you get there.

______________

Now that I am a grandmother, I seek those tiny, daily, apparently meaningless opportunities to create memories that my grandchildren may warmly recall decades from now, knowing they were all mine, if only for a few minutes at the kitchen sink.

The Glue Holding Together ZuZu’s Petals

One life, George learns, touches so many other lives. Far from a failure, his life was the glue that held together his family, his business, and his community. In the end, George embraces life, and the people of Bedford Falls gather around him in love, donating the money to restore the Building and Loan that had helped them to achieve their own simple dreams of freedom, independence, and dignity.

George Bailey neither does that which feels good nor asserts his own narrow vision of himself and his role in society. He accepts the responsibility that is placed upon his shoulders and allows himself to be shaped and defined by the needs of others around him. Rather than change the world to suit his own self-centered desires, he changes himself to adapt to the true calling that is upon him.

George Bailey does more than delay gratification. He embraces his true and essential identity and purpose and is strengthened to perform the work for which he was created.
~Louis Markos “Christmas With Capra: Classic Films for Our Troubled Times”

“ZuZu’s Petals”
~Lessons from “It’s a Wonderful Life”~

Our children had to be convinced
Watching black and white holiday movies
Was worthwhile~
This old tale and its characters
Caught them up right away
From steadfast George Bailey
to evil Mr. Potter-
They resonate in our hearts.

What surprised me most
Was our sons’ response to Donna Reed’s Mary:
~how can we find one like her? (and they both did!)
Her loyalty and love unequaled,
Never wavering…

I want to be like her for you.
When things go sour
I won’t forget what brought us together
In the first place.
I’m warmth in the middle-of-the-night storm
When you need shelter.
I’m ZuZu’s petals in your pocket
When you are trying to find your way back home.

The Whole Dream

I am a feather on the bright sky

I am the blue horse that runs in the plain

I am the fish that rolls, shining, in the water

I am the shadow that follows a child

I am the evening light, the lustre of meadows

I am an eagle playing with the wind

I am a cluster of bright beads

I am the farthest star

I am the cold of dawn

I am the roaring of the rain

I am the glitter on the crust of the snow

I am the long track of the moon in a lake

I am a flame of four colors

I am a deer standing away in the dusk

I am a field of sumac and the pomme blanche

I am an angle of geese in the winter sky

I am the hunger of a young wolf

I am the whole dream of these things
You see, I am alive, I am alive

I stand in good relation to all that is beautiful
You see, I am alive, I am alive

~N.Scott Momaday from “The Delight Song of Tsoai-talee” from In the Presence of the Sun: Stories and Poems

I wonder if, in the dark night of the sea, the octopus dreams of me.
~N. Scott Momaday

If I am brutally honest with myself, one of my worst fears is to have lived on this earth for a few decades and then pass away forgotten, inconsequential, having left behind no legacy of significance whatsoever. I know it is self-absorbed to feel the need to leave a mark, but my search for purpose and meaning lasting beyond my time here provides new momentum for each day.

The forgetting can happen so fast. Most people know very little about their great great grandparents, if they even know their names. A mere four generations, a century, renders us dust, not just in flesh, but in memory as well. There may be a yellowed photograph in a box somewhere, perhaps a tattered postcard or letter written in elegant script, but the essence of who this person was is long lost and forgotten. We owe it to our descendants to write down or record the stories about who we were while we lived on this earth. We need to share why we lived, for whom we lived, for what we lived.

I suspect however, unless I try every day to record some part of who I am, it will be no different with me and those who come after me.  Whether or not we are remembered by great great grandchildren or become part of the dreams of creatures in the depths of the seas:
we came from dust and will return to dust-
there is no changing that.

Good thing this is not our only home.  
Good thing we are created to be more than memory and dreams. 
Good thing there is an eternity that transcends good works
or long memories or legacies left behind. 
Good thing we are loved that much and always will be,
Forever and ever, Amen.

Reflecting Back…

The Pacific Medical Center (2012) Photo by Joe Mabel
http://www.pactower.org

Some years ago, while sitting with my husband and young family high in the upper reaches of Seattle’s (then) Safeco Field watching the Mariners lose to the Cleveland (then) Indians, my attention diverted from the baseball game to the expansive view of the surrounding city.

In particular, I couldn’t help but place myself back inside the old Art Deco building that sits up on Beacon Hill (now known as the Pac Tower.) I had spent a hundreds of hours of my life in that building in the late 1970s; it was easy imagine my younger self in those hallways and rooms.

The 90 year old building had a number of different purposes since originally being constructed to provide hospital care for the region’s Merchant seamen. By 1999, it had become the home of a five year old business that had outgrown Jeff Bezos’ garage — Amazon.com. 

I trained inside the walls of that Public Health Hospital, back in the days when it was the hospital in the region for not only Merchant Marines, but many of the indigenous people of the Pacific northwest and Alaska, in addition to local folks who needed affordable (as in free) health care. I had opportunity to work several clinical rotations in this building as a University of Washington medical student, and to think of it being Amazon’s first (but not last) major headquarters for Amazon made my brain do twists. 

I remembered so much life and death happening inside those walls over the years. 

I first walked into this building as a very green 24 year old med student beginning a surgical rotation in fall 1976, knowing only which end of the stethoscope to put in my ears and which end rests on the patient. On the first day I was shown how to put on a surgical gown, masks and sterile gloves without contaminating myself and the people around me. I never have forgotten that sequence of moves, even though my opportunity to go into an operating room (other than as a patient) became rare after my training days. My chief surgical resident was an exceptionally talented young man who worked himself and everyone working with him around the clock caring for his patients. This brilliant surgeon could only operate on patients while listening and singing to the music of Elvis Presley. I can’t hear any Elvis Presley songs to this day without smelling the odors of surgery–cauterized blood vessels and pus. 

He was soon to become a leading trauma surgeon in a city known for its fine surgeons. The pressure was too much for him. He experienced a personal crisis for which he sought treatment. When he returned to medicine, he abandoned his incredible surgical skills to train as a psychiatrist and still remains an authority on helping impaired physicians, assisting other care providers to acknowledge and deal with addiction and mental health burnout before they harm a patient. 

Those endless clinical rotation days and nights meant witnessing the misery of the most vulnerable of humanity in desperate need of healing, and sometimes we succeeded, but often we did not.  I still have a recurring dream of running up and down the staircases of the Public Health Hospital, bringing pint after pint of blood to the OR from the lab as our team operated on an Alaskan indigenous patient bleeding from dilated esophageal varices, developed as a result of a damaged liver from chronic alcohol dependency. We did not save her, nor have I saved her even once in my dreams over the decades, though I keep trying to run faster. My response to her death was to spend 20 years of my clinical career working with patients in an alcohol and drug treatment program, hoping to prevent her fate in others.

Nor did we save a classmate of mine, on a rotation on a different service, the daughter of a beloved radiologist in this very hospital, who for reasons unknown, had a cardiac arrest while napping briefly during her 32 hour shift.  Another medical student sleeping in the same room heard her odd breathing, found her unresponsive and all medical interventions were employed, to no avail. Even when all the right people, and the right equipment, and the right medicine is seconds away, death can still come, even to healthy people in their 20s.  This was a shock to us all, and an extraordinarily humbling lesson to the pompous and overconfident among us. We might die, in our sleep, whenever it is our time. Years later, I still remember that in my evening prayers.

There was also the young surgical resident who was hospitalized there with jaundice and subsequently died of Hepatitis B, contracted from a blood exposure during his training. No vaccination was available in those days, but was in development. And it was in this and other hospitals in the city, we began to see unusual cases of gay men with severe wasting, rare skin cancers and difficult to treat pneumonias. Initially called GRID (gay-related immune deficiency), it was renamed AIDS as it began appearing in the general population as well, and for too long was a death sentence for anyone infected.

One on-call night in particular is memorable. It was Christmas Eve, and a heavy snowstorm had brought the city to a standstill.  We had very little to do that night in the hospital as the elective surgeries were all postponed until after the holiday and no ambulance could easily make it up the steep drive to the ER, so they were being diverted to other hospitals. As a result, our patient load was light. I was in my tiny sleeping room, on the 14th floor of the tower, facing out north to the city of Seattle, able to enjoy the view of the city, everything blanketed under snow, so peaceful and very quiet.  The freeway, ordinarily so busy day and night, was practically abandoned, and the lights of the city were brighter from the snowfall. It was an enchanting vision of a city forced to slow itself and be still, so anticipatory on a sacred and holy night.

I remember thinking about how young and inexperienced I was, and how very little I knew. My chief resident thought I’d make a good surgeon – I was a diligent worker and technically very good with my hands. My heart told me that I’d be better as a generalist/family doctor. The city held many attractions and excitement, but I longed to return to a farm and a someday family. It was a wistful bittersweet night and I slept very little, perched on that little bed overlooking the sleeping snowy city. I wondered where life might take me, as I reflected on who I was becoming and where I was meant to be.

Forty five years later, I still am reminded every day at how little I know,  but I do realize this:
for however long we’re on this earth, each day we have a distinct purpose and reason for being.

That day, my purpose was to be snowbound on that Christmas day at the old Public Health Hospital, unable to go home from my shift because my car was stuck in the parking lot. Instead, I covered for others who couldn’t make it in to work, singing Christmas carols for all the patients who had to stay put in their hospital beds.

Soon, my purpose was to meet the man I was to marry, eventually living with three beloved children on a little farm 100 miles to the north while practicing medicine in a variety of primary care roles for over forty years. 

And perhaps, my purpose now in retirement is to share a few stories while reflecting on a life still in progress.

Only the Lord knows why He places us where He does.

view from the “sleeping room” at the top of the tower

The Fire and Rose Are One

The soul’s sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time’s covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable Zero summer?

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;


And all shall be well and
All manner of thing shall be well
When the tongues of flames are in-folded
Into the crowned knot of fire
And the fire and the rose are one.

~T.S. Eliot – from “Little Gidding” from the Four Quartets

To think that this meaningless thing was ever a rose,
Scentless, colourless, this!
Will it ever be thus (who knows?)
Thus with our bliss,
If we wait till the close?


Though we care not to wait for the end, there comes the end
Sooner, later, at last,
Which nothing can mar, nothing mend:

An end locked fast,
Bent we cannot re-bend.

~Christina Rossetti “Summer is Ended”

As a 3rd grader in November 1963, I learned the import of the U.S. flag being lowered to half mast in response to the shocking and violent death of our President. The lowering of the flag was so rare when I was growing up, it had dramatic effect on all who passed by — 

our soul’s sap quivers

— something very sad had happened to our country, something or someone had tragically ended, warranting our silence, our stillness, and our grief.

For the twenty-two years since 9/11/01, our flag has spent significant time at half mast, most often due to our own home-grown mass shooting terrorism. When I see it flying low, I’m befuddled instead of contemplative, puzzling over what the latest loss might be as there are so many, sometimes all happening in the same time frame. We no longer are silenced by this gesture of honor and respect; we certainly are not stilled when personally and corporately instigating and suffering the same mistakes against humanity over and over again.

We are so bent. Will we ever be mended again?

Eliot wrote these prescient words of the Four Quartets in the midst of the WWII German bombing raids that destroyed so many people and neighborhoods. Perhaps he sensed the destruction he witnessed would not be the last time in history that evil visits the innocent, leaving them in ashes. There would be so many more losses to come, not least being the horror of 9/11/01.

There remains so much more sadness to be borne, such abundance of grief. Our world has become overwhelmed and stricken. Yet Eliot was right: we have yet to live in a Zero summer of endless hope and fruitfulness, of spiritual awakening and understanding. Where is it indeed? When will the summer Rose of beauty and fragrance rise again?

We must return, as people of faith to Eliot’s still point to which we are called on a remembrance day such as today. We must be stilled; we must be silenced. We must grieve the losses of this turning world and pray for release from the suffering we cause and we endure. Only in the asking, only in the kneeling down and pleading, are we surrounded by God’s unbounded grace.

Only then will His Rose bloom, once again recognizable.  

“Zero Summer” imagines the unimaginable horror of Hiroshima and Nagasaki, and yet points to epiphanic awakening that transcend human imagination at the same time. T.S. Eliot, who coined this term in his “Four Quartets,” longed for that eternal summer, birthed out of the “still point,” where imagination is met with grace and truth.
~Makoto Fujimura

“There Are No Words” written on 9/11/2001
by Kitty Donohoe

there are no words there is no song
is there a balm that can heal these wounds

that will last a lifetime long
and when the stars have burned to dust
hand in hand we still will stand because we must

in one single hour in one single day
we were changed forever something taken away
and there is no fire that can melt this heavy stone
that can bring back the voices and the spirits of our own

all the brothers, sisters and lovers all the friends that are gone
all the chairs that will be empty in the lives that will go on
can we ever forgive though we never will forget
can we believe in the milk of human goodness yet

we were forged in freedom we were born in liberty
we came here to stop the twisted arrows cast by tyranny
and we won’t bow down we are strong of heart
we are a chain together that won’t be pulled apart

Sometimes One Gallops Past

As if the past were riding up to meet you
as if the past could ride a horse

as if the past were a horse wandering riderless
along a dusty road

as if the horse had never been ridden

/

They say a horse is broken when the rider
can stay on

they say the past is broken when you can
let go of it

I have broken with the past, she says

I have erased it from my phone
I have blindered my eyes from her eyes

/

I didn’t know the past was made of horses
I didn’t even call it a horse until now

I didn’t even call it strange
until I looked back on it

the past was a horse crossing a desert
a body draped over it

this is how we get the beloved home

/

Strange now to never hear a horse upon waking
or when out in the field

I didn’t know the past would come for me
I didn’t even call it the past until now

sometimes one gallops past
but no one else ever sees it

~Nick Flynn ” Unbroken” from “Low.”

photo by Brandon Dieleman

The past has a way of galloping away with me if I let it. I try to slow it down to a slow amble, enjoying the scenery along the way. But memories have a way of wanting to go their own way, not listening to pressure from the leg or a pull on the bit.

The past can’t be controlled or redirected any more than a horse can be ridden through my thoughts alone.

It must be a partnership, an agreement to keep moving forward, no matter what is being left behind. A horse prefers not to back up into the unseen unknown when there is so much ahead yet to be explored. I need to stop looking back and start looking between golden ears at where I’m going next.

It just might be the adventure of a lifetime.

photo by Emily Vander Haak

Fairest of All

The Northwest Washington Fair in Lynden is underway this week and for the eleventh year in a row, our Haflinger horses aren’t there on display. I feel wistful as I wake up too early on a foggy summer morning, remembering the twenty years where I would gather up our sleepy children and their friends and head into the fairgrounds to clean stalls, walk the ponies and prepare for the day. We are no long “doing” the fair as a farm, and I feel a little bit sad about that.

Our farm, BriarCroft, had been a consistent presence at this fair for nearly two decades, promoting the Haflinger breed in a well-decorated outdoor display, providing 24 hour a day coverage for the horses for the 6 days of the fair. We petitioned the Fair Board for 5 years in the late 1980s to allow us to display at the fair, and they finally said “okay, here’s the space, build it yourself” and we did! We were not there for classes, competition, or ribbons. We were there because people enjoyed our Haflingers and we enjoyed the people.

But now that our children are all grown up and moved away, all with children of their own, we lack their help to “man” the horse stalls. I miss spending that intense one week time with all of the several dozen “kid” helpers from over the years, all grown up and scattered to the winds.

Every year between 1992 and 2012, we were there, sometimes sharing space and duties with other Haflinger farms (Rodenbergers and McKees), along with several brave young women (Kelsy Smith, Chesna Klimek and Emily Vander Haak) who did Haflinger “trick riding” as part of the daily Grandstand show. The older kids watched the younger kids, the in-between kids did most of the horse stall cleaning duty, and we adults sat and shot the breeze.

Our display created good will for the fair visitors who depended on us every year to be there with horses that they and their children could actually pet (and sit on) without fear, who enjoyed our braiding demonstrations, and our various Haflinger trivia contests with prizes. Our horses came to represent what dreams are made of.

Countless times a day there would be a bright eyed child who approached our stalls, climbed up on the step stools and reached up to pet a Haflinger nose or neck and looked deep into those big brown Haflinger eyes, and lost their heart forever to the breed. They will not forget that moment when a horse they had never met before loved them back. Haflingers are magic with children and we saw that over and over again.

Our first year, in 1992, a mom and her 6 year old son came up to our stalls, as do some 10,000 people a day, and spent a long time petting the horses and talking to them, and enjoying them. They walked off, with the little boy looking over his shoulder at the Haflingers until they turned a corner and went out of sight. An hour later they were back and spent more time with the Haflingers. I offered the little boy a chance to sit on a Haflinger, and he agreed readily, and sat and sat and sat, playing with the mane and petting the shoulder and neck and was simply in heaven, quietly dreaming his own dreams on the back of a horse. His mom told me that they lived in a suburb near Seattle, but always spent this particular week in August at a local beach cabin, and the fair was one of their favorite activities each year. Her son Gary had never had an opportunity to sit on a horse before.

Next year, they were back, and Gary was a little taller, but still a quiet boy, and he kept dragging his mom back to the Haflingers, and she’d sit and visit as he’d sit on the Haflingers. He watched as we watered the horses, or fed them hay, or cleaned their stalls, and pretty soon he was asking if he could do the scooping, or dump the buckets or brush the horses. So he became, out of his own initiative, a helper.

By the time he was 8, he was spending several hours at a time with us at the stalls, taking his turn at the chores, and his mom, trusting that he was in good hands, and that he certainly wasn’t going to wander away from the Haflingers, would check back with him now and then to see if he wanted to go on rides, or see a performance, and his response was always “no, I can do that anytime, but I don’t get to see Haflingers very often!” He would talk a little about his hope someday to have a farm where he could raise Haflingers, and one year even said that his folks were looking at property to buy with acreage, but apparently a job for his dad didn’t materialize, so he remained a city kid in reality, even if he was a future farm kid in his heart.

Gary was one of our regular kid helpers every year until he was 12 when he started turning out for junior high football, and the football summer camp coincided with our fair week, so we’d only see him briefly on Saturdays as he got into his teens. He’d stop by to say hi, pet the horses, catch up on the Haflinger news, and because he only had a few hours to spend at the fair, he’d head off to other things. I really missed him and his happy smile around the stalls.

When he was 15, I missed seeing him because I was working when he stopped by. When he stopped by at age 16, he strolled up to me and I found I was looking up at this young man who I had to study to recognize. I’m a tall woman of 5’10”–he was at least 4 inches taller than me! He told me he wanted to come by because some of his best summer memories were of spending time with the Haflingers at the fair and he wanted me to know that. He thanked me for welcoming him and allowing him to “hang out” with the Haflingers. He told me his hope and dream someday was to live somewhere where he could raise Haflingers, and he was working hard in school so he could make that happen. He was a  4.0 student and the first string quarterback on his high school football team. I was as proud as if he was my own son.

This young man received a full scholarship to play football at a major university, and over four years waited his turn to be the starting quarterback.  Once he had his chance, after only a few games of being the starter, he was tackled hard, sustaining a neck fracture which thankfully resulted in no permanent damage, but his college football career was suddenly over.

I have lost track of Gary over the years and I hope he is faring well. I hope his connection with our horses left him with a legacy of love for animals he’ll pass onto his children someday.

So on this misty late summer morning, instead of heading to the fairgrounds to clean stalls, I’m going to turn our dusty, unbathed Haflingers out in the field as usual.  They don’t even know all the excitement they are missing.

I do hope the fair-goers still miss the friendly golden horses, with the big brown eyes, who helped over two decades to help make kids’ dreams come true.

Our Haflinger display at the NW Washington Fair
Trillium as a yearling with me at the fair 1993 – she is still part of our herd at age 29

Thank you to Lea Gibson Lozano, Emily Vander Haak, Kelsy Smith, and Chesna Klimek for their photos in this collection.

Still Astonished

1955
1960
1962

… I too spend my days grazing,
feasting on every green moment
till darkness calls,
and with the others
I walk away into the night,
swinging the little tin bell
of my name.
~Ted Kooser “A Birthday Poem”

1970
1978

Instructions for living a life:
Pay attention.
Be astonished.
Tell about it.
~Mary Oliver from “Sometimes” from Red Bird

I am astonished living through nearly seven decades,
sometimes amazed by joy and sometimes by sorrow.
I hope to see much more before I’m done,
to keep trying in my own way to tell about it.

I am grateful, so very grateful
to live out these years learning:
how love can heal,
how tears are dried,
and most astonishing of all,
why God came here to carry us home.

Words by Leslie Leyland Fields