Between Midnight and Dawn: The Unseen Seen

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So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.
2 Corinthinians 4: 18

 

I believe I will never quite know.
Though I play at the edges of knowing,
truly I know
our part is not knowing,
but looking, and touching, and loving,
which is the way I walked on,
softly,
through the pale-pink morning light.
~Mary Oliver from Bone

 

It is in the early morning hour that the unseen is seen,
and that the far-off beauty and glory,
vanquishing all their vagueness,
move down upon us till they stand
clear as crystal close over against the soul.

~Sarah Smiley

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In the moments before dawn
when glow gently pink-tints
the inside of horizon’s eyelids,
the black of midnight
waxes to mere shadow:

that old faded midnight
That frightened but an hour. (from Emily Dickinson)

Gloaming dusk
fades into gleaming dawn,
a backlit silhouette stark
as the darkening earth
slowly opens her eyes
to greet in rebirth
a new and glorious morn.

 

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During this Lenten season, I will be drawing inspiration from the new devotional collection edited by Sarah Arthur —Between Midnight and Dawn

The Fog Rising

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Let us go in; the fog is rising…
~Emily Dickinson, her last words

I have watched the dying
in their last hours:
often they see what I cannot,
listen to what I do not hear,
stretch their arms overhead
as fingers extend and grasp
to touch what is beyond my reach.

I watch and wonder how it is
to reverse the journey that brought us here
from the fog of amnion.

The mist of living lifts.

We will enter a place
unsurpassed in brilliance and clarity;
the mystery of what lies beyond solved
only by going back in,
welcomed to return to where we started.

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The Hush of a New Year’s Morning

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With what stillness at last
you appear in the valley
your first sunlight reaching down
to touch the tips of a few
high leaves that do not stir
as though they had not noticed
and did not know you at all
then the voice of a dove calls
from far away in itself

to the hush of the morning

 

so this is the sound of you
here and now whether or not
anyone hears it this is
where we have come with our age
our knowledge such as it is
and our hopes such as they are
invisible before us
untouched and still possible
~W.S. Merwin “To the New Year”
__________
My hopes, such as they are,
transparent as an impromptu ice sculpture
behind the barn carefully placed
by an enterprising farm boy.
They perch like wings on top of the manure hill,
glistening, crystalline, pure,
still possible if allowed to fly free,
but if left untouched and unrealized,
they are melted by the heat of the pile.
~EPG
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Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all, And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

I’ve heard it in the chillest land
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
~Emily Dickinson

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When August Burning Low

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Further in Summer than the Birds
Pathetic from the Grass
A minor Nation celebrates
Its unobtrusive Mass.

No Ordinance be seen
So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

Antiquest felt at Noon
When August burning low
Arise this spectral Canticle
Repose to typify

Remit as yet no Grace
No Furrow on the Glow
Yet a Druidic Difference
Enhances Nature now
~Emily Dickinson

“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time.  The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world.  She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others.  The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state.  Words are indivisible with the highest realization of human being.”
~N. Scott Momaday from The Man Made of Words

 

On the first day of his class in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this poem on the blackboard and told us we would spend at least a week working out the meaning of what he considered the greatest poem written.  In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse  — someone as culturally distant from him as possible.

But grace works to unite us, no matter our differences.  What on the surface appears a paean to late summer cricket song, doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our appreciation of nature. Just as the fires in our state are incinerating everything, even the insects of the fields, in its path, we still find grace and meaning in the destruction.  There is no one as lonely as the fire fighter facing the flame and no one as lonely as the poet facing the empty page, in search of words.

Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone.  The Word brings Grace, like no other, to pathetic and transient man.

There is no furrow on the glow.  There is no need to plow and seed our salvaged souls, already planted and yielding a fruited plain.

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A Case of the Dwindles

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“Morning without you is a dwindled dawn.”
Emily Dickinson

I’m finally adjusted to our children being grown and away from home: I no longer instinctively grab too many plates and utensils when setting the table.  The laundry and dishwasher loads patiently wait several days without being too full and the tidiness of their former bedrooms is no longer disturbing as I pass by.

Even so, I need to know that living and loving is actually happening under this roof and that all is well.

It has been two days since my husband went out of town for a work-related conference and I’ve been knocking around an unbearably empty and quiet house, talking to myself out loud and looking for things to do and people to take care of.

I have a serious case of the dwindles. The cure will arrive back home tonight.

I realize, like the fading of a dwindled dawn, these are cycles to which I must adapt, appreciative for the reminder of what I have living with and loving you every day and what you restore in me.

But for now, it’s clear: time without you diminishes me.

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Summer Waning and Wistful

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Summer begins to have the look
Peruser of enchanting Book
Reluctantly but sure perceives
A gain upon the backward leaves —

Autumn begins to be inferred
By millinery of the cloud,
Or deeper color in the shawl
That wraps the everlasting hill.
~Emily Dickinson in “Summer Begins to Have the Look”

 

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Summer is waning and wistful;
it has the look of packing up,
and moving on
without bidding adieu
or looking back over its shoulder.

I’m just not ready to wave goodbye to sun-soaked clear skies.

Cooling winds have carried in darkening clouds
spread green leaves everywhere,
loosened before their time.
Rain is long overdue
yet there is temptation to bargain
for a little more time.
Though we are in need of a good drenching
there are still onions and potatoes to pull from the ground,
berries to pick before they mold on the vine,
tomatoes not yet ripened,
corn cobs just too skinny to pick.

The overhead overcast is heavily burdened
with clues of what is coming:
earlier dusk,
the feel of moisture,
the deepening graying hues,
the briskness of breezes.

There is no negotiation possible.
I need to steel myself and get ready,
wrapping myself in the soft shawl of inevitability.

So autumn advances with the clouds,
taking up residence where summer has left off.
Though there is still clean up
of the overabundance left behind,
autumn will bring its own unique plans
for display of a delicious palette of hues.

The truth is we’ve seen nothing yet.

 

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Harrowing Grace

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As imperceptibly as Grief
The Summer lapsed away—
Too imperceptible at last
To seem like Perfidy—
A Quietness distilled
As Twilight long begun,
Or Nature spending with herself
Sequestered Afternoon—
The Dusk drew earlier in—
The Morning foreign shone—
A courteous, yet harrowing Grace,
As Guest, that would be gone—
And thus, without a Wing
Or service of a Keel
Our Summer made her light escape
Into the Beautiful.
~Emily Dickinson

 

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When Light is Put Away

photo by Tomomi Gibson
photo by Tomomi Gibson
We grow accustomed to the Dark – 
When Light is put away –
As when the Neighbor holds the Lamp
To witness her Good bye –
 
A Moment – We uncertain step
For newness of the night –
Then – fit our Vision to the Dark – 
And meet the Road  – erect – 
 
And so of larger – Darknesses –
Those Evenings of the Brain –
When not a Moon disclose a sign –
Or Star – come out – within –
 
The Bravest – grope a little –
And sometimes hit a Tree
Directly in the Forehead –
But as they learn to see –
 
Either the Darkness alters –
Or something in the sight
Adjusts itself to Midnight –
And Life steps almost straight.
~Emily Dickinson
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photo by Tomomi Gibson of reflected sunset (facing east)

To Press Snowflakes in a Book

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I wish one
could press snowflakes
in a book
like flowers.
~James Schuyler from “February 13, 1975”

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…Then how his muffled armies move in all night
And we wake and every road is blockaded
Every hill taken and every farm occupied
And the white glare of his tents is on the ceiling.
And all that dull blue day and on into the gloaming
We have to watch more coming.

Then everything in the rubbish-heaped world
Is a bridesmaid at her miracle.
Dunghills and crumbly dark old barns are bowed in the chapel of her sparkle.
The gruesome boggy cellars of the wood
Are a wedding of lace
Now taking place.
~Ted Hughes from “Snow and Snow”

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Out of the bosom of the Air,
      Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
      Over the harvest-fields forsaken,
            Silent, and soft, and slow
            Descends the snow.
         The troubled sky reveals
         The grief it feels…
~Henry Wadsworth Longfellow from “Snow-flakes”
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There’s a certain Slant of light
On winter afternoons —
That oppresses, like the Heft
of cathedral tunes.
When it comes, the Landscape listens —
Shadows hold their breath —
When it goes, ’tis like the Distance
On the look of Death.
~Emily Dickinson
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One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.
~Wallace Stevens from “The Snow Man”

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The woods are lovely, dark and deep,
But I have promises to keep,

And miles to go before I sleep,
And miles to go before I sleep.
~Robert Frost from “Stopping by Woods on a Snowy Evening”

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