Let the Rain

 

 

 

Let the rain kiss you
Let the rain beat upon your head with silver liquid drops
Let the rain sing you a lullaby
The rain makes still pools on the sidewalk
The rain makes running pools in the gutter
The rain plays a little sleep song on our roof at night
And I love the rain.

~Langston Hughes “April Rain Song”
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Spring is the sun shining on the rain and the rain falling on the sunshine…
~ Frances Hodgson Burnett, The Secret Garden

Some days this time of year, the skies begin gray with indecision and it doesn’t rain nor does the sun ever shine —  a truly lukewarm day.  The days that are most interesting, however, are those that declare themselves “clear” or “soaking wet” and then switch somewhere in the middle in a stormy transition.

A day can start with pouring rain — no half-hearted drizzle, this — with no hope of clearing, no peek of blue sky, no mountains on the horizon as if covered in gray cotton wool.

Then in a mighty switch near sunset, a wind blows in and takes the gray away with a sweep of the hand.  The skies clear, the mountains reappear with even more snow cover than the day before, and everything around shines with the glistening wash that has taken place.

It is spring, it is April, when all things are reborn wet and shimmering.  Let the rain drench irresistible light.

 

 

 

Oatmeal Should Not Be Eaten Alone

 

I eat oatmeal for breakfast.
I make it on the hot plate and put skimmed milk on it.
I eat it alone. 
I am aware it is not good to eat oatmeal alone.
Its consistency is such that is better for your mental health 
if somebody eats it with you.
That is why I often think up an imaginary companion to have 
breakfast with.
Possibly it is even worse to eat oatmeal with an imaginary 
companion. 
Nevertheless, yesterday morning, I ate my oatmeal porridge, 
as he called it with John Keats.
Keats said I was absolutely right to invite him: 
due to its glutinous texture, gluey lumpishness, hint of slime, 
and unusual willingness to disintegrate, oatmeal should 
not be eaten alone.
…I can see him drawing a spoon through the stuff, gazing into the glimmering
furrows, muttering.
Maybe there is no sublime; only the shining of the amnion’s tatters.
~Galway Kinnell from “Oatmeal”

 

 

But now the supper crowns their simple board, 
The halesome parritch, chief o Scotia’s food;
~Robert Burns from “The Cotter’s Saturday Night”

 

 

 

But when the melancholy fit shall fall 
Sudden from heaven like a weeping cloud, 
That fosters the droop-headed flowers all, 
And hides the green hill in an April shroud; 
Then glut thy sorrow on a morning rose, 
Or on the rainbow of the salt sand-wave, 
Or on the wealth of globed peonies;
~John Keats from “Ode on Melancholy”

 

 

 

 

Oatmeal mixed up with a bit of chewy melancholy,
reading of poets and peonies and wholesome parritch;
it seems early for poetry on this sublime shrouded morning in April …
yet like porridge, nothing more is needed to begin the day well.

 

 

 

 

 

 

Mystery Made Visible

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This fevers me, this sun on green,
On grass glowing, this young spring.
The secret hallowing is come,
Regenerate sudden incarnation,
Mystery made visible
In growth, yet subtly veiled in all,
Ununderstandable in grass,
In flowers, and in the human heart,
This lyric mortal loveliness,
The earth breathing, and the sun…

…The apple takes the seafoam’s light,
And the evergreen tree is densely bright.
April, April, when will he
Be gaunt, be old, who is so young?
This fevers me, this sun on green,
On grass lowing, this young spring.

~Richard Eberhart  from “This fevers me”

 

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It is a mystery
how the dead,
so very dead
can live again.

Ground frozen
mere weeks ago
now leaps lush and vibrant.
Branches snapped off dry
in midwinter storm and ice
now burst with bloom.

A new leaf glows
in evening light,
pulsing illumination.

Beyond understanding
Beyond imagining
Beyond each fevered breath
that could be,
but isn’t,
our last.

 

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Turn Aside and Look: April Corpse Light

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Lined with light
the twigs are stubby arrows.
A gilded trunk writhes
Upward from the roots,
from the pit of the black tentacles.

In the book of spring
a bare-limbed torso
is the first illustration.

Light teaches the tree
to beget leaves,
to embroider itself all over
with green reality,
until summer becomes
its steady portrait
and birds bring their lifetime
to the boughs.

Then even the corpse
light copies from below
may shimmer, dreaming it feels
the cheeks of blossom.
~May Swenson “April Light”

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In April we wait for the corpse light~
a mysterious illumination which comes alive
on a bright Sabbath Easter morning,
taking bare stubs of people,
begetting them green,
bursting them into blossom,
their cheeks pink with life,
in promise of faithful fruitfulness.

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Making Scents

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I admit it.  Right this minute, I should be doing our taxes.  We’re down to the last minute and I have all the paperwork stacked on the desk beside me, but I’m not doing it.  It is too miserable a task to even contemplate.  Instead I go outside to capture spring.

The last few mornings, when I have risen just before dawn, I have gone outside to breathe deeply of the scents that hang heavy in the cool moist air.  The perfume from thousands of orchard blossoms on our farm is heady and intoxicating.  There is nothing quite like these two weeks each year when our farm becomes a mass of snow white and pink scented flowers, busy with honey bees and eventually showering petals to the ground as the fruit starts to form.

Unfortunately, I’m allergic to tree pollen.  I breathe deeply and… sneeze and wheeze.  Even the best medicine can’t stop my reaction. So much loveliness causes so much misery.  So I retreat back to the house and look out the window and enjoy the view from afar, dabbing my dripping nose.

Ironically, this is the same time of year our dairy farm neighbors start to empty their manure lagoons and begin to spread their thousands of gallons of liquid manure on the surrounding fields, readying the ground for the hay or corn crop to come later on this summer. That scent hangs heavy in the cool moist air as well, pungent and unforgettable, penetrating even into our clothing so we carry the smell back into the house with us.  Of course I’m not allergic to manure.  After all, it’s only grass and water transformed.  In fact, as nasty a smell as it is, it’s invigorating in a perverse sort of way.  I know where it comes from, I know what its potential is, and I know the crop it yields.  It is, in itself, as treasured as the blossoms that yield fruit on our farm.

Taxes are the manure in our lives.  They are pretty stinky too, just like manure, an inevitable part of our daily existence, yet even more onerous.  However, spread out where needed, those collective taxes fertilize and grow our communities, our schools, our roads, our health care (and a few other things we may wish would not be funded).

So I must get to work spreading numbers across my desktop in the hope they may make sense and yield fruit of their own, sometime, somewhere.

The Cents of Spring.

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Rhubarb Wrinkles

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Like a mad red brain
the involute rhubarb leaf
thinks its way up
through loam.
~Jane Kenyon from “April Chores”

Over the last few weeks, our garden is slowly reviving, and rhubarb “brains” have been among the first to appear from the garden soil, wrinkled and folded, opening full of potential, “thinking” their way into the April sunlight.

Here I am, wishing my own brain could similarly rise brand new and tender every spring from the dust rather than leathery and weather-toughened, harboring the same old thoughts and patterns.

Indeed, more wrinkles seem to be accumulating on the outside of my skull rather than the inside.

Still, I’m encouraged by my rhubarb cousin’s return every April.  Not unlike me, it may be a little sour necessitating some sweetening, but its blood courses bright red and it is very very much alive.

April Strewing Flowers

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To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.

–  Edna St. Vincent Millay, “Spring”

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I know that we cannot depend on the return of Spring to heal us~
it is balm not cure,
our brains losing synapses day by day.

I know that none of Spring’s beauty can bloom without a dying before~
it is a shroud thrown over to cover our decay.

I know I cannot be transformed simply by the warmth of the sun~
it is not enough for my skin to sweat when my heart lies still and cold.

I know I must dig deeper into holy ground for the truth~
it does not lie in perfumed blossoms and sweet blue skies.

I know what I know~
life in itself is nothing unless
death is overcome yet again
and our hearts, once broken,
healed again and again,
begin to pulse red once more.

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Hear Pink Sing

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Not a color I’ve wanted to wear—too
innocently girlish, and I’m not innocent,
not a girl. But today the gnarled cherry trees
along Alabama Street are decked out
like bridesmaids—garlands in their hair,
nosegays in their hands—extravagant…
~Luci Shaw from “Pink”

If you stand in an orchard
In the middle of Spring
and you don’t make a sound
you can hear pink sing,
a darling, whispery song of a thing.
~Mary O’Neill from Hailstones and Halibut Bones “Pink”

Nothing about me is pink
except my windblown cheeks
on a brisk April day,
yet I love listening to pink
as it blooms all around me,
bubbling with ebullience,
whispering me awake in the morning
and bidding me gently goodnight.

 

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Dull Roots Stirred

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April is the cruelest month, breeding
lilacs out of the dead land, mixing
memory and desire, stirring
dull roots with spring rain.
~T.S.Eliot from “The Wasteland”

Cruel
as it reminds us
of what could have been,
how life can rise miraculous
from the dead.
So we must die to ourselves first,for what is meant to be,
could be
and will be.

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A Raggedy Wandering Gypsy

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April is like the raggedy, wandering gypsy lad of the fairy tale.
When he moves, streaks of gold show beneath his torn garments
and you suspect that this elfin creature is actually a prince in disguise.

April is just that.

There are raggedy, cold days, dark black ones,
but all through the month for a second, for an hour, or for three days at a stretch you glimpse pure gold.
The weeks pass and the rags slip away, a shred at a time.
Toward the end of the month his royal highness stands before you.
~Jean Hersey from The Shape of a Year

I avoid mirrors now as I age, knowing I’m clothed in rags, thinning here, thickening there, sagging and stretching, wrinkled and patched up.
Still, if I look closely past the rags and sags, I see the same eyes as my nine year old self peering back at me.
The lightness of youth and freshness may be disguised, but it is still there.
Every once in awhile, I glimpse pure gypsy gold.

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