Category: smoke

A Time Less Bold

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My mother, who hates thunder storms,
Holds up each summer day and shakes
It out suspiciously, lest swarms
Of grape-dark clouds are lurking there;
But when the August weather breaks
And rains begin, and brittle frost
Sharpens the bird-abandoned air,
Her worried summer look is lost,

And I her son, though summer-born
And summer-loving, none the less
Am easier when the leaves are gone
Too often summer days appear
Emblems of perfect happiness
I can’t confront: I must await
A time less bold, less rich, less clear:
An autumn more appropriate.
~Philip Larkin “Mother, Summer, I”

Summer grass aches and whispers.

It wants something; it calls and sings; it pours
       out wishes to the overhead stars.

The rain hears; the rain answers; the rain is slow 
        coming; the rain wets the face of the grass.
~Carl Sandberg “Summer Grass”

August rushes by like desert rainfall,
A flood of frenzied upheaval,
Expected,
But still catching me unprepared.
Like a match flame
Bursting on the scene,
Heat and haze of crimson sunsets.
Like a dream
Of moon and dark barely recalled,
A moment,
Shadows caught in a blink.
Like a quick kiss;
One wishes for more
But it suddenly turns to leave,
Dragging summer away.
– Elizabeth Maua Taylor “August”

The endless clear skies of August
now broken with exuberant clouds,
rain falling in warm gusts,
leaves landing on browned ground.

This summer ended up being simply too much –
an excess of everything bright and beautiful,
meant to make us joyful,
yet bold and exhausting in its riches.

From endless hours of daylight,
to high rising temperatures and wildfires,
to palettes of smoke-filled landscapes
to fruitfulness and abundant blooms.

While summer always fills a void
after enduring cold spare dark days
the rest of the year,
I still depend on autumn returning.

I welcome darkening times back,
knowing how much I miss
those drear twilight months of longing
for the overwhelming fullness of summer.

No Furrow on the Glow

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Further in Summer than the Birds
Pathetic from the Grass
A minor Nation celebrates
Its unobtrusive Mass.

No Ordinance be seen
So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

Antiquest felt at Noon
When August burning low
Arise this spectral Canticle
Repose to typify

Remit as yet no Grace
No Furrow on the Glow
Yet a Druidic Difference
Enhances Nature now 
~Emily Dickinson

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“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time. The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world. She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state. Words are indivisible with the highest realization of human being.”
~N. Scott Momaday from The Man Made of Words

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On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard.  He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition.  In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.

But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem.  What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.

As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending, particularly when the skies are filled with smoke from uncontrolled wildfires in the north, the east and the south.  There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.

Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone.  The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.

There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.

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A Warm and Steady Sweetness

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It’s ripe, the melon
by our sink. Yellow,
bee-bitten, soft, it perfumes
the house too sweetly.
At five I wake, the air
mournful in its quiet.
My wife’s eyes swim calmly
under their lids, her mouth and jaw
relaxed, different.
What is happening in the silence
of this house? Curtains
hang heavily from their rods.
Ficus leaves tremble
at my footsteps. Yet
the colors outside are perfect–
orange geranium, blue lobelia.
I wander from room to room
like a man in a museum:
wife, children, books, flowers,
melon. Such still air. Soon
the mid-morning breeze will float in
like tepid water, then hot.
How do I start this day,
I who am unsure
of how my life has happened
or how to proceed
amid this warm and steady sweetness?
~Albert Garcia “August Morning” from Skunk Talk


I know I am getting old and I say so,
but I don’t think of myself as an old man.
I think of myself as a young man
with unforeseen debilities. Time is neither
young nor old, but simply new, always
counting, the only apocalypse. And the clouds
—no mere measure or geometry, no cubism,
can account for clouds or, satisfactorily, for bodies.
There is no science for this, or art either.
Even the old body is new—who has known it
before?—and no sooner new than gone, to be
replaced by a body yet older and again new.
The clouds are rarely absent from our sky
over this humid valley, and there is a sycamore
that I watch as, growing on the riverbank,
it forecloses the horizon, like the years
of an old man. And you, who are as old
almost as I am, I love as I loved you
young, except that, old, I am astonished
at such a possibility, and am duly grateful.
~ Wendell Berry “VII.” from Leavings. 

…today, the unseen was everything.
The unknown, the only real fact of life.
All this he saw,
for one moment breathless and intense,
vivid on the morning sky;
and still, as he looked, he lived;
and still, as he lived, he wondered.
~Kenneth Grahame, The Wind in the Willows

How do I start this day
when I am unsure of the immense unknown?

I begin by looking.
I live with wonder and astonishment;
yet another morning has been gifted to me.

Even if sleep proved elusive,
the air through the windows still warm at midnight.
When even a melon-colored sky looks dry
along with everything beneath it.

When wildfire smoke still drifts in on waves from the north and east, both obscuring and rounding the sharp edges of mountain peaks.

I wonder, grateful, for the sweetness
on this tepid summer morning
offering itself to me.

I’m here.
I look, I live, I wonder.
Let the day begin, opening up into the immense unknown.

Consumed by Harrowing Fire

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(War Time)

There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;

And frogs in the pools singing at night,
And wild plum trees in tremulous white,

Robins will wear their feathery fire
Whistling their whims on a low fence-wire;

And not one will know of the war, not one
Will care at last when it is done.

Not one would mind, neither bird nor tree
If mankind perished utterly;

And Spring herself, when she woke at dawn,
Would scarcely know that we were gone.
~Sara Teasdale “There Will Come Soft Rains”

…one of man’s purposes is to assist God
in the work of “hallowing” the things of Creation.
By a tremendous heave of the spirit,
the devout man frees the divine sparks
trapped in the mute things of time;
he uplifts the forms and moments of creation,
bearing them aloft
into the rare air and hallowing fire
in which all clays must shatter and burst.
~Annie Dillard from Pilgrim at Tinker Creek

The fire burst the house and let it slam flat down, puffing out skirts of spark and smoke.

The crash. The attic smashing into kitchen and parlour. The parlour into cellar, cellar into sub-cellar.

Smoke and silence. A great quantity of smoke.

Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall, a last voice said, over and over again and again, even as the sun rose to shine upon the heaped rubble
and steam:

“Today is August 5, 2026, today is August 5, 2026, today is…”

~Ray Bradbury from the end of his 1950 short story “There Will Come Soft Rains”

So much of the world is beset by smoke and ashes this summer.

Not only are the fires roaring uncontrolled across landscapes, consuming everything in their path,
but harrowing fires burn within us as well.

We too are consumed,
left in a haze of gray and dust.

Even the smoke-painted sun traverses the sky
and then settles and sets,
swallowed by a seed puff ball,
absorbed and hallowed.

Like us, may it be released aloft this morning
transformed like a seed freed to the wind,
to rise unfettered and holy.