A Cache of Love

January’s drop-down menu
leaves everything to the imagination:
splotch the ice, splice the light,
remake the spirit…

Just get on with it,
doing what you have to do
with the gray palette that lies
to hand. The sun’s coming soon.

A future, then, of warmth and runoff,
and old faces surprised to see us.
A cache of love, I’d call it,
opened up, vernal, refreshed.
~Sidney Burris “Runoff”

When I reach the end of January in all its grayest pallor, it is hard to imagine another six weeks of winter ahead. It can feel like nature offers only a few options, take your pick: a soupy foggy morning, a drizzly mid-day, a crisp northeast wind, an unexpected snow flurry, a soggy evening.

Every once in awhile the January drop-down menu will add a special surprise: icy spikes on grass blades, frozen droplets on birch branches, hair ice on wood, crystallized weeds like jewelry in the sun, a pink flannel blanket sunrise, an ocean-of-orange sunset.

Then I realize January’s gray palette is merely preparation for what has been hidden from me the whole time. There is Love cached away, and as it is revealed, it will not let me go.

photo of hair ice in King County, Washington taken by Laura Reifel

O Love that will not let me go,
I rest my weary soul in thee;
I give thee back the life I owe,
That in thy ocean depths its flow
May richer, fuller be.

O Joy that seeks me through pain,
I cannot close my heart to thee;
I trace the rainbow through the rain,
And feel the promise is not vain,
That morn shall tearless be.

~George Matheson

(“O Love” was inspired by the words of Scottish minister, George Matheson in 1882. Blinded at the age of nineteen, his fiancé called off their engagement and his sister cared for him as he endured new challenges.  Years later, on the eve of his sister’s wedding, he faced the painful reminder of his own heartache and loss as he penned the words to this hymn.) from ElaineHagenborg.com

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I Remember You

When to the garden of untroubled thought
       I came of late, and saw the open door,   
       And wished again to enter, and explore    
The sweet, wild ways with stainless bloom inwrought, 
And bowers of innocence with beauty fraught,
       It seemed some purer voice must speak before   
       I dared to tread that garden loved of yore, 
That Eden lost unknown and found unsought.  
 

Then just within the gate I saw a child,— 
       A stranger-child, yet to my heart most dear,—
Who held his hands to me, and softly smiled   
       With eyes that knew no shade of sin or fear:    
“Come in,” he said, “and play awhile with me; 
I am the little child you used to be.”

~Henry van Dyke, from The Poems of Henry van Dyke

Behind the house in a field
there’s a metal box I buried
full of childhood treasure, a map
of my secret place, a few lead pennies
from 1943.
The rest I’ve forgotten,
forgotten even the exact spot
I covered with moss and loam.

Now I’m back and twenty years
have made so little difference
I suspect they never happened,
this face in the mirror
aged with pencil and putty.
I suspect even
the box has moved as a mole would move
to a new place long ago.
~Dan Gerber “The Cache” from Particles

And this is where we went, I thought,
Now here, now there, upon the grass
Some forty years ago.

The days being short now, simply I had come
To gaze and look and stare upon
The thought of that once endless maze of afternoons.
But most of all I wished to find the places where I ran

What’s happened to our boys that they no longer race
And stand them still to contemplate Christ’s handiwork:
His clear blood bled in syrups from the lovely wounded trees?
Why only bees and blackbird winds and bending grass?
No matter. Walk. Walk, look, and sweet recall.

I came upon an oak where once when I was twelve
I had climbed up and screamed for Skip to get me down.
It was a thousand miles to earth. I shut my eyes and yelled.
My brother, richly compelled to mirth, gave shouts of laughter
And scaled up to rescue me.
“What were you doing there?” he said.
I did not tell. Rather drop me dead.
But I was there to place a note within a squirrel nest
On which I’d written some old secret thing now long forgot.

{Now} I lay upon the limb a long while, thinking.
I drank in all the leaves and clouds and weathers
Going by as mindless
As the days.
What, what, what if? I thought. But no. Some forty years beyond!

I brought forth:
The note.

I opened it. For now I had to know.
I opened it, and wept. I clung then to the tree
And let the tears flow out and down my chin.
Dear boy, strange child, who must have known the years
And reckoned time and smelled sweet death from flowers
In the far churchyard.
It was a message to the future, to myself.
Knowing one day I must arrive, come, seek, return.
From the young one to the old. From the me that was small
And fresh to the me that was large and no longer new.
What did it say that made me weep?

I remember you.
I remember you.
~Ray Bradbury from “Remembrance”

This past weekend we drove the country roads where I grew up,
now sixty years later,
and though the trees are taller,
it looked just as I remembered.
The scattered houses on farms still standing, a bit more worn,
the fields open and flowing as always,
the turns and bends, the ups and downs of the asphalt lanes unchanged
where once I tread with bicycle tires and sneakered feet.

My own childhood home a different color
but so familiar as we drive slowly by,
full of memories of laughter and games,
long winter days and longer summer evenings
full of its share of angry words and tears
and eventual forgiveness.

I too left notes to my future self, in old barns, and lofts,
and yes, in trees,
but won’t go back to retrieve them.
I remember what I wrote.
My ten year old heart tried to imagine itself decades hence,
what fears and joys would pass through like pumping blood,
what wounds would I bear and bleed,
what love and tears would trace my face?

I have not forgotten.
No, I have never forgotten
that I remember:
this is me,
as I was, and, deep down, still am.