The Rhythm of Remembrance

Vietnam Women Veteran's Memorial

“For in self-giving, if anywhere, we touch a rhythm not only of all creation but of all being.”
C.S. Lewis

I’m unsure why the United States does not call November 11 Remembrance Day as the rest of the Commonwealth nations did after WWI. This is a day that demands much more than the more passive name Veterans’ Day represents.

This day calls all citizens who appreciate their freedoms to stop what they are doing and disrupt the routine rhythm of their lives. We are to remember in humble thankfulness the generations of military veterans who sacrificed time, resources, sometimes health and well being, and too often their lives in answering the call to defend their countries.

Remembrance means never forgetting what it costs to defend freedom. It means acknowledging the millions who have given of themselves and continue to do so on our behalf. It means never ceasing to care. It means a commitment to provide resources needed for the military to remain strong. It means unending prayers for safe return home to family. It means we hold these men and women close in our hearts, always teaching the next generation about the sacrifices they made.

Most of all, it means being willing to become the sacrifice if called.

Ballad of a Soldier

“Comrade General, instead of a decoration, could I go home to see my mother?”

I was sixteen, taking second year high school Russian during the Cold War, partly for the challenge, but mostly to understand better who our “enemy” was.  Our teacher assigned us unusual homework one weekend: watch the 1959 Russian movie  “Ballad of a Soldier” being broadcast on PBS in 1970.  It had English subtitles, but the point of the assignment was to experience the sounds and inflections of native Russian speakers.  Although the movie was a fictional story of a Russian soldier’s brief leave from the front during WWII, it complemented a concurrent assignment in our World History class, reading All Quiet on the Western Front. The unforgettable juxtaposition of these two works of art helped me appreciate, in the midst of the nightly news from Vietnam,  the terrible cost of war.

The other night, some forty years later, I watched this movie again. The tale is a classic “returning home from war” saga with the twist that young Alyosha is only on a brief leave granted by a compassionate general rewarding the front line soldier for an extraordinary act of bravery.  Alyosha asks only to return to his home village to fix the leaking roof of his mother’s home.  Given the extraordinary difficulties of war time travel in an economically struggling country, as well as the challenges and people he ends up meeting along the way, his time home ends up being only a few precious minutes before he has to turn around and return to the front.  He only has enough time to hug his mother, and say goodbye one last time, never to return again.

Although the story focuses on a son’s determination to get home to his mother, it also allows a view of war’s permanent damage to bodies and minds,  as well as the toll of war time separation on relationships.  There seems little sense of hopeful future for the characters in this story, so the immediacy of what they experience takes on greater significance.

Alyosha meets a young woman on the train and their evolving connection offers a glimpse of a potential love that can transcend the ugliness of war.  They part not even knowing how to find each other again, after having spent precious few hours in conversation.   Acknowledging that lack of future hope is the most painful of all;  there is no ability to make plans with confidence, no sense of a long life stretching ahead like the dusty road leading from his village that reaches endless to the horizon.

I remember sitting in my childhood home, watching this movie as a teenager with so little life experience at that point.  Tears streamed down my face, as I was touched forever by the tender story of a man made too old by war and hardship for his young years and his simple desire to once again hug his mother.   This did not feel like an enemy to me.  This felt like someone I could easily love and hold on to–as a brother, someday as a cherished husband, eventually as a precious son.   Years later I identify with the mother with moistening eyes, watching my children leave our home, heading down that long endless road, hopefully, never to fight a war.

Watching these touching scenes play out once again, I realize I’m still holding on to precious hope, forty years later, even as my road gets shorter.  I’ll never let it go.