“Did you ever know that a flower, once withered and freshened again, becomes an immortal flower, – that is, that it rises again?”
~Emily Dickinson in a letter to a friend

While I was fearing it, it came—
But came with less of fear
Because that fearing it so long
Had almost made it fair—

There is a Fitting—a Dismay—
A Fitting—a Despair
’Tis harder knowing it is Due
Than knowing it is Here.

The Trying on the Utmost
The Morning it is new
Is Terribler than wearing it
A whole existence through.
~Emily Dickinson

Over a decade ago, as I was going through my mother’s boxed-up possessions after her death, I found the 1956 Webster’s New Dictionary of the Twentieth Century that I grew up with. This book was massive, easily weighing 10 pounds, and served as a booster seat for haircuts, a step stool for trying to reach the cookie jar on the kitchen cupboard, and of course, for looking up any obscure word that ever existed in all of history. Or so it seemed.

It was an amazing tome. And as I flipped through the pages, I found some old familiar friends that were neither black nor white nor read all over. They had survived over half a century.

Wildflowers had been carefully pressed between the pages–over two dozen specimens paper thin themselves, their existence squeezed into two dimensions–still showing faint pink or blue, or purple color, almost exuding a long ago fragrance from a summer over fifty years ago. As a child I regularly wandered out to our fields and woods to gather crimson clover blossoms, buttercup, dandelions, daisies, wild violets, wild ginger, calypso lady slippers for bouquets for my mother, and she would select the most perfect to slide between the pages of the dictionary. Occasionally she would pull one out to gently paste on a hand written card she sent to a friend.

Here were my perfect flowers, preserved and pressed for time, just waiting for the senior-citizen me to rediscover them lying between wonderful words that I love to roll in my mouth and type on a page. They are too fragile to paste to a greeting card, or even to handle due to their brittleness. They need to stay right where they are, for another generation or two or three to discover.

As a child, I was always very worried about losing my parents, fearing their death would be the end of me as well. But as Emily Dickinson writes “fearing it so long/Had almost made it fair” – as an adult, I was more prepared for the day each parted from this life. As the poet suggests, fearing it for years was much harder than the acceptance when that time had come.

Now I too am pressed for time, fading and more fragile, perhaps more brittle than I care to admit. My mother and father have blown away like the puff ball seeds of the dandelion, on to other horizons, but the sturdy old dictionary is going nowhere. It will be passed down, its delicate passengers preserved inside from a long-ago-far-away summer afternoon of flower gathering. They will be shared as a great grandchild opens the book to look up a favorite word sometime in the not-so-far-off future.