I want to write with quiet hands. I
want to write while crossing the fields that are
fresh with daisies and everlasting and the
ordinary grass. I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be

songs in which nothing is neglected,
not a hope, not a promise. I want to make poems
that look into the earth and the heavens
and see the unseeable. I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver “Everything”

Sometimes I think all the best poems
have been written already,
and no one has time to read them,
so why try to write more?

At other times though,
I remember how one flower
in a meadow already full of flowers
somehow adds to the general fireworks effect

as you get to the top of a hill
in Colorado, say, in high summer
and just look down at all that brimming color.
I also try to convince myself

that the smallest note of the smallest
instrument in the band,
the triangle for instance,
is important to the conductor

who stands there, pointing his finger
in the direction of the percussions,
demanding that one silvery ping.
And I decide not to stop trying,

at least not for a while, though in truth
I’d rather just sit here reading
how someone else has been acquainted
with the night already, and perfectly.
~Linda Pastan “Rereading Frost” from Queen of a Rainy Country. 

This morning

poem hopes 

that even though
its lines are broken 

its reader 

will be drawn forward to the part where blueberries
firm against fingers 

say roundness sweetness unspeakable softness
     in the morning
light.
~L.L. Barkat, “This Morning” from The Golden Dress

I’m asked frequently by people who read this blog why I use poems by other authors when I could be writing more original work myself. Why do I use my photos to illustrate another person’s words instead of inspiring my own?

My answer, like poet Linda Pastan above is:

Sometimes I think all the best poems
have been written already,
and no one has time to read them,
so why try to write more?

Yet, like Linda, for over a decade now, I’ve decided not to stop trying, since I’ve committed myself to being here every day with something that may help me (and perhaps you) breathe in with gladness and gratitude the fragrance of words within this weary world.

There are several hundred of you who do take time to come visit this corner of the web every day, and several dozen of you have actually purchased the Almanac of Quiet Days book where my photos inspired poet Lois Edstrom to write her own words of grace and beauty. That is a source of great encouragement to me!

Like poet Mary Oliver, I cannot separate the poetry of my photos from the poetry of words I compose – I try to see the unseeable and help others to see it as well:

I want to make poems
that look into the earth and the heavens
and see the unseeable.

I am so awed at your faithful reading and generous sharing of what I offer here.

Even when my lines are broken, or I say again what another has already said much better, yet bears repeating — I too try to write with quiet hands, and see through quiet eyes, out of reverence and awe for what unseeable gifts God has given us.

Thank you for being here with me, looking for those illuminating words and pictures which lift the veil.

Perhaps you would like to hold a Barnstorming book in your hands?
This new book is available for order here: