To loosen with all ten fingers held wide and limber
And lift up a patch, dark-green, the kind for lining cemetery baskets,
Thick and cushiony, like an old-fashioned doormat,
The crumbling small hollow sticks on the underside mixed with roots,
And wintergreen berries and leaves still stuck to the top, —
That was moss-gathering.
But something always went out of me when I dug loose those carpets
Of green, or plunged to my elbows in the spongy yellowish moss of the marshes:
And afterwards I always felt mean, jogging back over the logging road,
As if I had broken the natural order of things in that swampland;
Disturbed some rhythm, old and of vast importance,
By pulling off flesh from the living planet;
As if I had commited, against the whole scheme of life, a desecration.
~Theodore Roethke “Moss-Gathering”
The moss I gather
through the camera lens —
a microcosm forest
of sprouts and undergrowth,
delicate branches and blossoms.
An environ all its own
on an old stump, a roof of shingles,
the north side of an ancient rock.
Words I write
are like doormats of moss,
lying thick as a carpet across the page,
piled one upon another,
some more beautiful,
some so plain as not to be noticed,
some with just the right curve and form
to make a difference,
cushioning my fall
when gentle grace is about
to catch me.